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The king of the melodeon was Peter James “PJ” Conlon, an immigrant born in 1892 near Milltown, County Galway who recorded some fifty commercial recordings between 1917 and 1929. PJ’s eldest sister Mary Ellen also played the melodeon and recorded a 78 rpm disc of her own in 1923.

Conlon began his recording career playing a German-made instrument like that used by John Kimmel but later switched to a more powerful eight-voice accordion from Baldoni Bartoli, an Italian-American firm whose instruments became the preferred choice among Irish-American “box” players. He played at a fast pace but always in complete control, and with a penchant for ornamentation and melodic variation. The Depression put an end to his recording career, but Conlon continued to perform in bars and dance halls. A benefit concert was organized for him in 1935 at the fiddler James Morrison’s Celtic Hall in west Harlem. Though he lived until 1967, Conlon was not musically active after 1951. His influence on later Irish players was immense and it could well be said that modern traditional Irish style on the button accordion started with P.J. Conlon.

  • Happy to meet, sorry to part, jig / Peter Conlon, melodeon ; Joseph J Garry, piano

  • The salt hill pipes [jigs] / Peter Conlon, melodeon ; Tom Morrison, flute ; T Higgins

  • The fiddler's delight [reels] / Peter Conlon, melodeon ; unidentified, piano

  • Contentment is wealth [jigs] / Peter Conlon, melodeon ; unidentified, piano

  • The black thornstick, jig / Peter Conlon, melodeon

  • The heather breeze, reel / Peter Conlon, melodeon ; Joseph J Garry, piano

  • The plains of Boyle, hornpipe / Peter Conlon, melodeon ; Tom Morrison, flute


Peter Conlon, melodeon / Unidentified photographer. New York, 1920s. Image courtesy ITMA Collection